{"id":16390,"date":"2023-10-31T03:22:08","date_gmt":"2023-10-31T03:22:08","guid":{"rendered":"https:\/\/altec.com.hk\/aja-colorbox\/"},"modified":"2025-09-26T01:49:13","modified_gmt":"2025-09-26T01:49:13","slug":"aja-colorbox","status":"publish","type":"page","link":"https:\/\/altec.com.hk\/zh-hans\/aja-colorbox\/","title":{"rendered":"AJA-colorbox"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” module_id=”ColorBox” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_fullwidth_slider _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_slide _builder_version=”4.22.2″ _module_preset=”default” background_image=”https:\/\/altec.com.hk\/wp-content\/uploads\/colorbox_background_6345d31f1c32b-2-scaled.jpg” background_enable_image=”on” background_enable_video_mp4=”off” custom_padding=”300px||300px||false|false” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\"\"<\/h1>\n

<\/p>\n

ColorBox<\/h1>\n

<\/p>\n

In-line HDR\/SDR Algorithmic and LUT Color Transforms<\/h3>\n

[\/et_pb_slide][\/et_pb_fullwidth_slider][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.2″ _module_preset=”default” background_color=”#535353″ global_colors_info=”{}”][et_pb_row column_structure=”1_6,1_6,1_6,1_6,1_6,1_6″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.22.2″ _module_preset=”default” width=”94%” max_width=”2560px” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”1_6″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

ColorBox<\/span><\/a><\/h3>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_6″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_6″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”]<\/p>\n

\u6982\u8ff0<\/a><\/h3>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_6″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

\u529f\u80fd<\/a><\/h3>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_6″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

\u5de5\u4f5c\u6d41<\/a><\/h3>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_6″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

\u6280\u672f\u53c2\u6570<\/a><\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”\u6982\u8ff0” _builder_version=”4.22.2″ _module_preset=”default” background_enable_color=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.22.2″ _module_preset=”default” width=”94%” max_width=”2560px” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/altec.com.hk\/wp-content\/uploads\/colorbox_3600px1-1.png” title_text=”colorbox_3600px1″ align=”center” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” text_font=”||||||||” global_colors_info=”{}”]<\/p>\n

\u4ecb\u7ecd<\/h3>\n

<\/p>\n

ColorBox \u662f AJA \u6700\u65b0\u53d1\u5e03\u7684\u4e00\u6b3e\u7d27\u51d1\u3001\u8d85\u4f4e\u5ef6\u8fdf\u3001\u9ad8\u6027\u80fd\u7684\u8272\u5f69\u7ba1\u7406\u5de5\u4f5c\u6d41\u89e3\u51b3\u65b9\u6848\uff0c\u4e13\u7528\u4e8e\u6ee1\u8db3\u5e7f\u64ad\u3001\u76f4\u64ad\u4e8b\u4ef6\u3001\u73b0\u573a\u5e94\u7528\u548c\u540e\u671f\u7684\u8272\u5f69\u8f6c\u6362\u9700\u6c42\u3002 \u53ef\u652f\u6301\u6807\u51c6\u52a8\u6001\u8303\u56f4( SDR )\u3001\u9ad8\u52a8\u6001\u8303\u56f4( HDR )\u548c\u5e7f\u8272\u57df( WCG )\u4fe1\u53f7\uff0c\u5229\u7528 12G-SDI \u548c HDMI 2.0\uff0c\u53ef\u5b9e\u73b0\u5355\u7ebf\u7f06\u7684 4K\/UltraHD HDR 4:2:2 10-bit 60p \u6216 4:4:4 12-bit 30p\uff0c\u5e76\u4e14\u5177\u5907\u72ec\u7279\u7684\u8272\u5f69\u5904\u7406\u7ba1\u9053\u3002
\u57fa\u4e8e 33-point 3D LUT \u5904\u7406\u5668\uff0cColorBox \u7684 AJA Color Pipeline \u63d0\u4f9b\u4e86\u989d\u5916\u7684\u56db\u4e2a 1D LUT \u548c\u4e24\u4e2a 3\u00d73 \u77e9\u9635\uff0c\u6bcf\u4e2a\u90fd\u53ef\u5355\u72ec\u914d\u7f6e\uff1b\u751a\u81f3\u53ef\u4ee5\u4f5c\u4e3a Proc Amps \u6216 RGB \u989c\u8272\u6821\u6b63\u5668\uff0c\u63a7\u5236\u60a8\u7684\u8272\u5f69\u8f6c\u6362\u3002 \u5229\u7528\u6709\u7ebf\u4ee5\u592a\u7f51\u8fde\u63a5\u76f4\u63a5\u8bbf\u95ee\uff0c\u6216\u7b2c\u4e09\u65b9 WiFi USB \u9002\u914d\u5668\u8fdb\u884c\u65e0\u7ebf\u8fde\u63a5\uff0c\u5373\u53ef\u901a\u8fc7\u7f51\u7edc\u7528\u6237\u754c\u9762\u8f7b\u677e\u7ba1\u7406\u989c\u8272\u5904\u7406\u9009\u9879\u3002<\/p>\n

<\/p>\n

\u9664 AJA Color Pipeline \u5916\uff0cColorBox \u56ca\u62ec\u4e86 Colorfront\u2122 Engine \u4f18\u5316\u7b97\u6cd5\u53d8\u6362\u548c NBCU LUTs\u3002 \u800c\u4e14\uff0c\u60a8\u8fd8\u53ef\u901a\u8fc7\u6388\u6743\u65b9\u5f0f\u9009\u62e9\u6027\u5347\u7ea7 BBC HLG LUTs \u548c\u5168\u65b0\u7684 ORION-CONVERT\uff0c\u7528\u4e8e\u6269\u5c55ColorBox\u7684\u9ad8\u7ea7\u989c\u8272\u7ba1\u7406\u5de5\u4f5c\u6d41\u7a0b\u3002 ORION-CONVERT \u901a\u8fc7\u72ec\u7279\u7684\u5b9e\u65f6\u6d6e\u70b9\u8ba1\u7b97\u65b9\u6cd5\u6765\u8fdb\u884c\u8272\u5f69\u53d8\u6362\uff0c\u53ef\u4ee5\u83b7\u5f97\u66f4\u9ad8\u7cbe\u5ea6\u7684\u7ed3\u679c\u3002 \u8fd9\u786e\u4fdd\u4e86\u50cf\u7d20\u5b8c\u7f8e\u7684\u8272\u5f69\u8f6c\u6362\uff0c\u8f6c\u6362\u8fc7\u7a0b\u4e2d\u8272\u5f69\u7684\u4fdd\u6301\u662f\u81f3\u5173\u91cd\u8981\u7684\u3002<\/p>\n

<\/p>\n

ColorBox\u8fd8\u63d0\u4f9b\u4e86\u5148\u8fdb\u7684\u6d4b\u8bd5\u6a21\u5f0f\u53d1\u751f\u5668\u548c\u5e27\u5b58\u50a8\uff0c\u4e3a\u60a8\u7684\u5de5\u4f5c\u6d41\u7a0b\u5e26\u6765\u4e86\u5b9e\u7528\u7684\u5de5\u5177\uff0c\u5176\u4e2d\u5c31\u5305\u62ec\u91c7\u96c616-bit.tiff 4K\u56fe\u50cf\u7684\u80fd\u529b\uff0c\u7528\u4e8e\u83b7\u53d6\u9ad8\u8d28\u91cf\u7684\u53c2\u8003\u9759\u5e27\u3002 ColorBox\u751a\u81f3\u53ef\u4ee5\u5c06\u4fe1\u606f\u53e0\u52a0\u5230\u56fe\u50cf\u4e0a\uff0c\u5305\u62ec\u6709\u7528\u7684\u7528\u6237\u81ea\u5b9a\u4e49\u6587\u672c\u5b57\u6bb5\u3002 \u8fd9\u4e9b\u56fe\u50cf\u53ef\u4ee5\u4fdd\u5b58\u5728\u672c\u5730 ColorBox\u4e0a\uff0c\u6216\u4fdd\u5b58\u5728\u8fd0\u884c\u4e86\u8bf8\u5982 Livegrade Pro\/Studio \u548c Assimilate Live Looks \u5e94\u7528\u7a0b\u5e8f\u7684\u7b2c\u4e09\u65b9 PC \u4e0a\u3002<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”Features” _builder_version=”4.22.2″ custom_padding=”38px|0px|0px|0|false|false” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_color=”rgba(246,246,246,0)” width=”94%” width_tablet=”80%” width_phone=”80%” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_phone=”80%” max_width_last_edited=”on|desktop” custom_margin=”|||” custom_padding=”0|0px|0px|0px|false|false” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n

\u529f\u80fd & \u4f18\u52bf<\/h1>\n

[\/et_pb_text][et_pb_tabs active_tab_text_color=”#0C71C3″ _builder_version=”4.22.2″ tab_font_size=”12px” background_color=”#ffffff” box_shadow_style=”preset6″ global_colors_info=”{}”][et_pb_tab title=”\u5173\u952e \u529f\u80fd” _builder_version=”4.22.2″ background_enable_image=”off” global_colors_info=”{}”]<\/p>\n\n\n\n
\n
    \n
  • 12-bit 4:4:4 12G-SDI I\/O \uff0c\u6700\u9ad8 4K\/UltraHD HDR\/WCG 30p\u3002<\/li>\n
  • 10-bit 4:2:2 12G-SDI I\/O\uff0c \u6700\u9ad8 4K\/UltraHD HDR\/WCG 60p\u3002<\/li>\n
  • 12-bit 4:4:4 HDMI 2.0 \u8f93\u51fa\uff0c\u6700\u9ad8 4K\/UltraHD HDR\/WCG 30p\u3002<\/li>\n
  • 10-bit 4:2:2 HDMI 2.0 \u8f93\u51fa\uff0c\u6700\u9ad8 4K\/UltraHD HDR\/WCG 60p\u3002<\/li>\n
  • \u8d85\u4f4e\u5ef6\u8fdf\uff0c\u5c11\u4e8e\u00bd\u89c6\u9891\u7ebf\u8def\u3002<\/li>\n
  • \u5177\u5907\u56db\u9762\u4f53\u7b97\u6cd5\uff0c\u57fa\u4e8e 33-point 3D LUT \u5904\u7406\u5668\u7684 AJA Color Pipeline\u3002 3D LUT processor with tetrahedral interpolation\n
      \n
    • 7 x \u8282\u70b9\u52a0 Overlay\u3002\n
        \n
      • 1x 3D LUT \u5904\u7406\u5668, \u7528\u6237\u53ef\u914d\u7f6e\u4e3a 3D LUT \u6216 Dynamic\u3002<\/li>\n
      • 4x 1D LUT \u5904\u7406\u5668, \u7528\u6237\u53ef\u914d\u7f6e\u4e3a 1D LUT, Dynamic, \u6216 Color Corrector\u3002<\/li>\n
      • 2x 3\u00d73 \u77e9\u9635\u5904\u7406\u5668, \u7528\u6237\u53ef\u914d\u7f6e\u4e3a 3\u00d73 Matrix, Dynamic, \u6216 ProcAmp\u3002<\/li>\n<\/ul>\n<\/li>\n
      • \u652f\u6301\u884c\u4e1a\u6807\u51c6\u6587\u4ef6\u7c7b\u578b\uff0c\u65e0\u9700\u8f6c\u6362\u4e3a\u4e13\u6709\u683c\u5f0f\u3002<\/li>\n
      • \u53ef\u914d\u7f6e\u7684\u8272\u5f69\u7a7a\u95f4\u3001\u8303\u56f4\u548c\u4f20\u8f93\u7279\u6027\u3002<\/li>\n
      • \u5168\u5e27 LUT \u5904\u7406\u3002<\/li>\n<\/ul>\n<\/li>\n
      • \u4e94\u79cd\u8272\u5f69\u5904\u7406\u7ba1\u9053\u3002\n
          \n
        • AJA Color<\/li>\n
        • Colorfront Mode\u3002<\/li>\n
        • ORION-CONVERT Mode (\u9009\u8d2d)\u3002<\/li>\n
        • BBC HLG LUT Mode (\u9009\u8d2d)\u3002<\/li>\n
        • NBCU LUTs\u3002<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n
\n
    \n
  • \u76f4\u89c2\u4fbf\u6377\u7684\u57fa\u4e8e\u7f51\u7edc\u6d4f\u89c8\u5668\u7684\u7528\u6237\u754c\u9762\uff0c\u9644\u5e26\u89c6\u9891\u9884\u89c8\u76d1\u770b\u3002<\/li>\n
  • \u5185\u7f6e\u5e27\u5b58\u50a8\u3002\n
      \n
    • \u6700\u9ad8 4K\/UltraHD \u5e27\u91c7\u96c6\u548c\u8c03\u7528\u3002<\/li>\n
    • \u91c7\u96c6\u9884\u5904\u7406\u6216\u540e\u671f\u5904\u7406\u56fe\u50cf\u3002<\/li>\n<\/ul>\n<\/li>\n
    • \u6d4b\u8bd5\u6a21\u5f0f\u6700\u9ad8\u53ef\u8fbe 4K\/UltraHD, \u5185\u7f6e9x \u6d4b\u8bd5\u6a21\u578b\u3002<\/li>\n
    • \u5728\u8f93\u51fa\u53e0\u52a0\u4fe1\u606f\u3002\n
        \n
      • \u7528\u6237\u6587\u672c\u3002<\/li>\n
      • User Overlay<\/li>\n
      • \u8f93\u5165\u548c\u8f93\u51fa\u4fe1\u53f7\u4fe1\u606f\u3002<\/li>\n
      • \u7ba1\u9053\u914d\u7f6e\u6587\u4ef6\u3002<\/li>\n
      • \u53e0\u52a0\u53ef\u88ab\u91c7\u96c6\u4e3a\u56fe\u50cf\uff0c\u4f9b\u5c06\u6765\u4f7f\u7528\u3002<\/li>\n<\/ul>\n<\/li>\n
      • \u7528\u4e8e\u6587\u4ef6\u7ba1\u7406\u7684\u677f\u8f7d\u5e93\u3002\n
          \n
        • 16x 1D LUTs\u3002<\/li>\n
        • 16x 3D LUTs\u3002<\/li>\n
        • 16x 3\u00d73 \u77e9\u9635\u3002<\/li>\n
        • 16x \u56fe\u50cf\u3002<\/li>\n
        • 16x Overlays<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n
\n
    \n
  • \u9884\u8bbe\u7ba1\u7406\uff0c\u6bcf\u7ba1\u905310\u4e2a\u52a0\u542f\u52a8\u9884\u8bbe\u3002<\/li>\n
  • ANC \u5143\u6570\u636e\u76f4\u901a\u3002<\/li>\n
  • 12G-SDI input and output with separate loop-out<\/li>\n
  • HDMI 2.0 \u8f93\u51fa<\/li>\n
  • \u5d4c\u5165\u5f0f\u97f3\u9891\u76f4\u901a\uff0cSDI 16-ch. \u548c HDMI 8-ch.\u3002<\/li>\n
  • \u5916\u5f62\u7d27\u51d1\uff0c4\u53f0\u8bbe\u5907\u53ef\u4e0a1RU\u673a\u67b6\u3002<\/li>\n
  • \u8d85\u9759\u97f3\u98ce\u6247\u3002<\/li>\n
  • \u91cd\u91cf\u8f7b\u3002<\/li>\n
  • \u76f4\u6d41\u4f9b\u7535\uff0c\u575a\u56fa\u3001\u5e26\u9501\u6263\u7684 4-pin mini-XLR \u7535\u6e90\u63a5\u53e3\u3002<\/li>\n
  • On\/Off \u6309\u94ae\uff0c\u4e0d\u7528\u65f6\u53ef\u8282\u7ea6\u7535\u529b\u3002<\/li>\n
  • Select \u6309\u94ae\uff0c\u7528\u4e8e\u5206\u6d41\u89c6\u9891\u5904\u7406\u3002<\/li>\n
  • \u5e7f\u6cdb\u7684API\u53ef\u4ee5\u7b2c\u4e09\u65b9\u63a7\u5236\u96c6\u6210\u3002<\/li>\n
  • \u5d4c\u5165\u5f0f\u7f51\u7edc\u670d\u52a1\u5668\u7528\u4e8e\u8fdc\u7a0b\u63a7\u5236\u3002<\/li>\n
  • \u53ef\u901a\u8fc7USB\u7aef\u53e3\u914d\u7f6eIP\u5730\u5740\uff0c\u5728PC\/Mac\u5e73\u53f0\u63d0\u4f9b\u4e86 AJA eMini-Setup \u8f6f\u4ef6\u3002<\/li>\n
  • 3\u5e74\u8d28\u4fdd\u3002<\/li>\n<\/ul>\n

    \"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”\u786c\u4ef6” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    ColorBox \u5177\u5907\u4f18\u96c5\u7684\u5916\u89c2 \u524d\u9762\u677f\u63d0\u4f9b\uff1a<\/p>\n

      \n
    • USB OTG (on-the-go)\u7aef\u53e3\uff0c\u7528\u4e8e\u914d\u7f6e\u521d\u59cbIP\u5730\u5740\u6216\u8fde\u63a5\u7b2c\u4e09\u65b9WiFi\u9002\u914d\u5668\u3002<\/li>\n
    • Select \u6309\u94ae\uff0c\u7528\u4e8e\u624b\u52a8\u5206\u6d41\u89c6\u9891\u5904\u7406\u3002<\/li>\n
    • Power \u6309\u94ae\uff0c\u4e0d\u7528\u65f6\u53ef\u8282\u7ea6\u7535\u529b\u3002<\/li>\n
    • SDI Lock LED \u706f\uff0c\u663e\u793a\u9501\u5b9a\u652f\u6301\u7684SDI\u8f93\u5165\u683c\u5f0f\u3002<\/li>\n
    • Status LED\u706f\uff0c\u663e\u793a ColorBox \u7684\u5404\u79cd\u72b6\u6001\u3002<\/li>\n<\/ul>\n

      \u540e\u9762\u677f\u63d0\u4f9b\uff1a<\/p>\n

        \n
      • 12G-SDI \u8f93\u5165<\/li>\n
      • 12G-SDI \u73af\u51fa<\/li>\n
      • 12G-SDI \u8f93\u51fa<\/li>\n
      • HDMI 2.0 \u8f93\u51fa<\/li>\n
      • 4-pin mini-XLR \u4f9b\u7535<\/li>\n
      • 1GigE Ethernet \u7aef\u53e3<\/li>\n<\/ul>\n

        \u8d85\u9759\u97f3\u98ce\u6247\u548c\u6070\u5f53\u7684\u901a\u98ce\u53e3\u4f4d\u7f6e\uff0c\u4f7f\u5f97\u51b7\u7a7a\u6c14\u4ece\u8bbe\u5907\u7684\u524d\u90e8\u5438\u5165\uff0c\u6696\u7a7a\u6c14\u4ece\u540e\u90e8\u6392\u51fa\u3002<\/p>\n<\/td>\n

    		\n

    \"\"<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”\u8de8\u8d8a\u5e7f\u6cdb\u5e94\u7528\u7a0b\u5e8f\u7684\u96c6\u6210” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    ColorBox \u63d0\u4f9b\u4e86\u5f53\u4eca\u5de5\u4f5c\u6d41\u7a0b\u7684\u5173\u952e\u5e94\u7528\u7a0b\u5e8f\uff0c<\/p>\n

      \n
    • \u5305\u62ec\uff1a \u7528\u4e8e\u7535\u89c6\u76f4\u64ad\u548c\u6f14\u5531\u4f1a\u5236\u4f5c\u76844K\/UltraHDSDR\u548cHDR\u7ba1\u9053\u3002 \u7528\u4e8e\u7535\u89c6\u76f4\u64ad\u548c\u6f14\u5531\u4f1a\u5236\u4f5c\u76844K\/UltraHDSDR\u548cHDR\u7ba1\u9053\u3002\u8f6c\u64ad\u8f66\u548c\u5176\u4ed6\u76f4\u64ad\u4e8b\u4ef6\u57fa\u7840\u8bbe\u65bd\u53ef\u4ee5\u8f7b\u677e\u4f7f\u7528ColorBox\u5c06SDR\u4fe1\u53f7\u8f6c\u6362\u4e3aHDR\uff0c\u5e76\u5c06HDR\u8f6c\u6362\u4e3a\u5176\u4ed6\u4ea4\u4ed8\u683c\u5f0f\u3002 \u53ef\u9009\u8d2d\u7684ORION-CONVERT\u548cBBC HLG LUTs\uff0c\u4ee5\u53ca\u514d\u8d39\u5185\u7f6e\u7684Colorfront\u53d8\u6362\u548cNBCU LUTs\u63d0\u4f9b\u4e86\u6240\u6709\u5fc5\u8981\u7684\u5de5\u5177\u6765\u7ba1\u7406HDR\u5de5\u4f5c\u6d41\u7a0b\u3002 \u5bf9\u4e8e\u57fa\u4e8e\u786c\u4ef6\u7684\u63a7\u5236\uff0cSKAARHOJ\u548cCyanView\u5df2\u7ecf\u5728\u4ed6\u4eec\u7684\u63a7\u5236\u9762\u677f\u96c6\u6210\u4e86ColorBox\u7684\u672c\u5730\u63a7\u5236\u3002<\/li>\n
    • \u6570\u5b57\u5f71\u50cf\u5de5\u7a0b\u5e08 (DIT) \u7684\u73b0\u573a\u5916\u89c2\u7ba1\u7406\u548c\u8c03\u8272\uff0c\u8981\u786e\u4fdd\u73b0\u573a\u5185\u5bb9\u7684\u91c7\u96c6\u8981\u6ee1\u8db3\u6444\u5f71\u5e08\u3001\u6444\u5f71\u6307\u5bfc\u3001\u8c03\u8272\u5e08\u3001\u670d\u88c5\u3001\u706f\u5149\u8bbe\u8ba1\u548c\u540e\u671f\u7f16\u8f91\u4eba\u5458\u5728\u5236\u4f5c\u8fc7\u7a0b\u4e2d\u7684\u9700\u6c42\u3002 \u6570\u5b57\u5f71\u50cf\u5de5\u7a0b\u5e08\u53ef\u4ee5\u8f7b\u677e\u7ba1\u7406\u5de5\u4f5c\u6d41\u7a0b\uff0c\u52a0\u8f7d\u591a\u4e2a\u5916\u89c2\uff0c\u6839\u636e\u9700\u8981\u8fdb\u884c\u8c03\u6574\uff0c\u5e76\u4e3a\u65e5\u5e38\u3001\u540e\u671f\u5236\u4f5c\u548c\u4e4b\u540e\u7684\u4f7f\u7528\u4fdd\u5b58\u53c2\u8003\u56fe\u50cf(\u6700\u9ad8\u53ef\u8fbe4K)\u3002 Pomfort \u7684 Livegrade Pro \u548c Studio\uff0cAssimilate Live Looks \u548c Live Assist \u8f7b\u677e\u96c6\u6210\uff0c\u63d0\u4f9b ColorBox \u5b9e\u65f6\u7684\u672c\u5730\u63a7\u5236\u3002 ColorBox \u72ec\u7279\u7684\u5168\u5e27\u5904\u7406\u80fd\u529b\uff0c\u6d88\u9664\u4e86\u90e8\u5206\u5e27 LUT \u5904\u7406\u3002<\/li>\n
    • \u76d1\u89c6\u5668\u6821\u51c6\u3002 \u65e0\u8bba\u5728\u5de5\u4f5c\u5ba4\u3001\u8bbe\u5907\u79df\u8d41\u3001\u5236\u4f5c\u6216\u540e\u671f\u8bbe\u65bd\uff0c\u4efb\u4f55\u5730\u65b9\u90fd\u9700\u8981\u9ad8\u8d28\u91cf\u7684\u663e\u793a\u6821\u51c6\uff0cColorBox \u53ef\u4ee5\u4e3a\u60a8\u63d0\u4f9b\u5e2e\u52a9\u3002 ColorBox \u5177\u6709\u5e7f\u6cdb\u7684 API\uff0c\u5141\u8bb8\u7b2c\u4e09\u65b9\u63a7\u5236 ColorBox \u5e27\u5b58\u50a8\uff0c\u5e76\u53ef\u8f93\u51fa 12-bit RGB \u6d4b\u8bd5\u7a0b\u5e8f\uff0c\u7528\u4e8e\u9ad8\u8d28\u91cf\u7684\u76d1\u89c6\u5668\u6821\u51c6\u5e94\u7528\u3002<\/li>\n<\/ul>\n

       <\/p>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”\u7d27\u51d1\u7684\u5916\u5f62” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    ColorBox\u7684\u5bbd\u5ea6\u548c\u6df1\u5ea6\u5206\u522b\u4e3a 10.6cm*19.05cm\u3002\uff0c\u53ea\u4f1a\u5360\u7528\u60a8\u684c\u9762\u5f88\u5c0f\u7684\u7a7a\u95f4\uff1b\u6216\u8005\u60a8\u53ef\u4ee5\u57281RU\u7684\u673a\u67b6\u4e0a\u5b89\u88c5\u591a\u8fbe4\u53f0ColorBox\u8bbe\u5907\uff0c\u5728DIT\u63a8\u8f66\u3001\u968f\u8eab\u5668\u6750\u5305\u4e2d\u60a8\u53ef\u4ee5\u8f7b\u677e\u6dfb\u52a0\u3002\u5b83\u7684\u91cd\u91cf\u4e5f\u5f88\u8f7b\uff0c\u53ea\u67090.45\u516c\u65a4\uff0c\u975e\u5e38\u9002\u5408 DIT \u548c\u79fb\u52a8\u5e94\u7528\u3002<\/p>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Pipelines\uff08\u7ba1\u9053\uff09” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    ColorBox \u5e26\u6709\u4e00\u7cfb\u5217\u7ba1\u9053\u53ef\u4f9b\u9009\u62e9\u3002 \u53ef\u4e3a\u60a8\u7684\u5236\u4f5c\u9700\u6c42\u9009\u62e9\u4efb\u4f55\u7279\u5b9a\u7684\u7ba1\u9053\u3002 \u6709\u4e9b\u7ba1\u9053\u662f\u4e13\u95e8\u4e3a\u76f4\u64ad\u6216\u73b0\u573a\u6d3b\u52a8\u7684\u9700\u8981\u800c\u8bbe\u8ba1\u7684\u3002 \u6bd4\u5982 AJA Color Pipeline\uff0c\u5b83\u63d0\u4f9b\u4e86\u5f88\u5927\u7684\u7075\u6d3b\u6027\uff0c\u53ef\u4ee5\u5bf9\u4efb\u4f55\u5e94\u7528\u8f6c\u6362\u7684\u6bcf\u4e2a\u6b65\u9aa4\u8fdb\u884c\u66f4\u591a\u7684\u63a7\u5236\u3002 BBC HLG LUTs \u6216 ORION-CONVERT \u4f5c\u4e3a\u9009\u8d2d\u7ba1\u9053\uff0c\u5728\u8bd5\u7528\u65f6\u5c06\u5728\u56fe\u50cf\u4e0a\u663e\u793a\u6c34\u5370\uff0c\u5728\u8d2d\u4e70\u53ef\u9009\u8bb8\u53ef\u8bc1\u4e4b\u524d\uff0c\u53ef\u4ee5\u8ba9\u60a8\u66f4\u597d\u7684\u5bf9\u8272\u5f69\u8fdb\u884c\u8bc4\u4f30\u3002 ColorBox \u63d0\u4f9b\u72ec\u7279\u7684\u56fe\u50cf\u5904\u7406\u80fd\u529b\uff0c\u9488\u5bf9\u8bbe\u5907\u7684\u7c7b\u578b\u62e5\u6709\u4e00\u4e2a\u65e0\u4e0e\u4f26\u6bd4\u7684\u8bbe\u5907\u9009\u9879\u9635\u5217\u2014\u2014\u5168 12-bit 4:4:4 \u6700\u9ad8 4K 30p \u548c 10-bit 4:2:2 \u6700\u9ad8 4K 60p\u3002 \u9488\u5bf9 12G-SDI \u548c HDMI 2.0 \u8f93\u51fa\uff0c\u8fd8\u63d0\u4f9b\u4e86\u5168\u5206\u6d41\u8282\u70b9\uff0c\u7528\u4e8e\u5feb\u901f\u6bd4\u8f83\u3002<\/p>\n

    ColorBox \u63d0\u4f9b\u4e94\u79cd\u6a21\u5f0f<\/p>\n

      \n
    • AJA Color<\/li>\n
    • Colorfront (\u53ef\u9009\u8d2d\uff0c\u9884\u89c8\u6a21\u5f0f\u5e26\u6c34\u5370)<\/li>\n
    • ORION-CONVERT (\u53ef\u9009\u8d2d\uff0c\u9884\u89c8\u6a21\u5f0f\u5e26\u6c34\u5370)<\/li>\n
    • BBC HLG LUT (\u53ef\u9009\u8d2d\uff0c\u9884\u89c8\u6a21\u5f0f\u5e26\u6c34\u5370)<\/li>\n
    • NBCU LUTs\u3002<\/li>\n<\/ul>\n<\/td>\n
    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Powerful AJA Color Pipeline (ACP)” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    AJA Color Pipeline provides users with the most advanced color management tools available for a device of its type.\u00a0\u00a0With 7 nodes of real\u00a0time processing plus Overlay, the pipeline offers capabilities only seen in software based color correction applications. These nodes give you full control over color\u00a0space, video level, and dynamic range conversion to get the most out of your color managed workflow.\u00a0\u00a0Dynamic nodes are controllable by third\u00a0party applications.<\/p>\n
      \n
    • 7x processing nodes plus Overlay<\/li>\n
    • Pipeline processes in 12-bit RGB<\/li>\n
    • 1x 3D LUT, user configurable as 3D LUT or Dynamic\n
        \n
      • 33pt. 3D LUT processor with tetrahedral interpolation<\/li>\n<\/ul>\n<\/li>\n
      • 4x 1D LUT, user configurable as 1D LUT, Dynamic, or Color Corrector\n
          \n
        • Supports 10 or 12-bit 1D LUTs<\/li>\n<\/ul>\n<\/li>\n
        • 2x 3\u00d73 Matrices, user configurable as 3\u00d73 Matrix, Dynamic, or Proc Amp<\/li>\n
        • Supports industry standard file types, no conversion to proprietary format required<\/li>\n
        • Configurable Color Space, Range, and Transfer Characteristic<\/li>\n
        • Full frame LUT processing<\/li>\n
        • Full bypass node for 12G-SDI and HDMI 2.0<\/li>\n<\/ul>\n

          This toolset enables workflows to be set up and easily replicated utilizing ColorBox preset import and export capabilities.<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”33pt 3D LUT Processor with Tetrahedral Interpolation” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    This primary 33pt. 3D LUT uses tetrahedral interpolation for the highest accuracy conversion. 3D LUTs provide full volumetric non-linear color adjustment and a 33pt 3D LUT is a requirement for HDR workflows. Very useful for calibration purposes as the controls can respond to all possible calibration errors. Similarly, high end movie and television productions depend on 3D LUT processing for look generation, distribution, and management.\u00a0 When set to Dynamic, the 3D LUT is fully controllable through third party software like Pomfort Livegrade, Assimilate Live Looks, and QTAKE Video Assist.<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”1D LUTs” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    Flexibility is key in production and post, with four 1D LUTs it is easy to manage your color processing pipeline to get the best possible image. 1D LUTs are commonly used as \u201cshaper LUTs\u201d wrapping around the 3D LUT.\u00a0 The front shaper 1D LUT allows you to map perceptually significant values, typically the darker part of the color space, to use more of the 3D LUT transform data set resulting in a more effective use of the 3D LUT to produce a better image. The backside shaper 1D LUT is usually the inverse of the front, mapping pixel values into the original dynamic range. 1D LUTs can also be effectively used as log-to-linear and linear-to-log transforms. In the AJA Color Pipeline, 1D LUTs can even be set up as RGB Color Correctors for color correcting a source before 3D LUT processing, this is a common workflow in live production applications.<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”3\u00d73 Matrices” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    ColorBox\u2019s two 3\u00d73 Matrices provide the operator a means to perform different color processing tasks outside of a LUT using their own 3\u00d73 matrix files. 3\u00d73 Matrices are commonly used for color space conversion, for example between RGB and XYZ or YUV, BT. 709 and BT. 2020, or other color spaces with different primaries.\u00a0 A 3\u00d73 Matrix can be used to color balance a signal if the white balance is off.\u00a0 They can also be used for look creation such as film emulation.\u00a0 In the AJA Color Pipeline, 3\u00d73 Matrices can even be set up as Proc Amps for adjusting a signal\u2019s Gain, Black level, Hue, and Saturation before 3D LUT processing, this is a common workflow in live production applications.<\/p>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Colorfront Pipeline” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    The ColorBox HDR\/WCG capabilities leverage video and color space processing algorithms within the Colorfront Engine, specially licensed by AJA from Colorfront, and developed by Colorfront\u2019s CTO Bill Feightner and Lead Engineer Tamas Perlaki.\u00a0 Colorfront offers a color processing pipeline with set and forget SDR and HDR transforms designed for use wherever HDR productions are performed. The Colorfront pipeline includes:<\/p>\n

      \n
    • Built-in SDR, HLG, and PQ transforms<\/li>\n
    • Licensable upgrade to access the full TV Mode and Live Mode<\/li>\n
    • Optimized transforms designed for broadcast<\/li>\n
    • Maintains perceptual integrity<\/li>\n
    • Full bypass node for 12G-SDI and HDMI\u00a02.0<\/li>\n
    • Support for ITU BT.2408, Operational Practices in HDR Television Production<\/li>\n<\/ul>\n<\/td>\n
    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”NBCU LUTs Pipeline” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    NBCU LUTs, developed by NBCUniversal Media, LLC in collaboration with Cromorama, enable a workflow for single-master live production of simultaneous HDR and SDR content.\u00a0 Designed for television broadcasters, NBCU LUTs include SDR, HLG and PQ LUTs that maximize the dynamic range and color volume in HDR, without compromising core SDR broadcasts.<\/p>\n

      \n
    • Imperceptible round-tripping of SDR BT.709<\/li>\n
    • Conversions designed with a knee that is natural with latitude for live video shading<\/li>\n
    • Scene-light and Display-light conversions<\/li>\n
    • SDR, HLG, and PQ conversions<\/li>\n
    • Utilizes 33 point Tetrahedral 3D LUT Interpolation<\/li>\n
    • Proc Amp and Color Corrector<\/li>\n
    • Full bypass node for 12G-SDI and HDMI\u00a02.0<\/li>\n
    • Support for ITU BT.2408, Operational Practices in HDR Television Production<\/li>\n<\/ul>\n

      NBCU LUT Conversions<\/p>\n

        \n
      • 1-NBCU_SDR2HLG_DL_v1.1, SDR UpMap to HLG using Display Light<\/li>\n
      • 2-NBCU_SDR2HLG_SL_v1, SDR to HLG using Scene Light<\/li>\n
      • 3-NBCU_HLG2SDR_DL_v1.1, HLG to SDR using Display Light<\/li>\n
      • 4-NBCU_SDR2PQ_DL_v1, SDR UpMap to PQ using Display Light<\/li>\n
      • 5-NBCU_PQ2SDR_DL_v1, PQ to SDR using Display Light<\/li>\n
      • 7-NBCU_HLG10002PQ_v1, HLG 1000 Nits to PQ<\/li>\n<\/ul>\n

        This toolset enables HDR workflows to be set up and easily replicated utilizing ColorBox preset import and export capabilities.<\/p>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”38px|0px|0px|0|false|false” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_color=”rgba(246,246,246,0)” width=”94%” width_tablet=”80%” width_phone=”80%” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_phone=”80%” max_width_last_edited=”on|desktop” custom_margin=”|||” custom_padding=”0|0px|0px|0px|false|false” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n

    Colorfront Pipeline Options<\/h1>\n

    <\/p>\n

    Colorfront\u2019s new TV Mode and Live Mode are now available in both FS-HDR and as a licensable option in ColorBox. TV Mode is an intuitive color processing engine aimed at broadcast workflows that contains the built-in SDR, HLG and PQ transforms.<\/p>\n

    <\/p>\n

    When licensed, it provides operators access to new Brightness, Highlight, Super Highlight, and Colorfulness tools that enable greater control over critical elements in color conversions. With them, get controlled corrections within the guardrails of Colorfront\u2019s perceptual processing algorithm, which will maintain perceived color, hue, and saturation without hard clipping artifacts. TV Mode also includes Sony S-Log3 conversions as part of the license upgrade, which have proven advantageous in modern live production applications.<\/p>\n

    <\/p>\n

    The same license also enables Colorfront Live Mode, which includes several camera Log formats beyond SDR, HLG and PQ like the new ARRI LogC4.<\/p>\n

    [\/et_pb_text][et_pb_tabs active_tab_text_color=”#0C71C3″ _builder_version=”4.22.2″ tab_font_size=”12px” background_color=”#ffffff” box_shadow_style=”preset6″ global_colors_info=”{}”][et_pb_tab title=”Colorfront Engine TV Mode” _builder_version=”4.22.2″ background_enable_image=”off” global_colors_info=”{}”]<\/p>\n\n\n\n
    \n
      \n
    • Colorfront Engine TV Mode provides specific conversions and simplified controls for highlight and roll-off management in live television broadcast productions.\n
        \n
      • SDR, HLG, PQ, and Sony S-Log3 transforms<\/li>\n
      • Highlight and roll-off management with Brightness, Highlight, and Super Highlight<\/li>\n
      • Colorfulness control for managing the Hunt Effect<\/li>\n
      • Roundtrip setting for ensuring a technical match during a round trip process<\/li>\n
      • Adjusting R,G,B, and Master color controls for:\n
          \n
        • Lift, Gamma, and Gain<\/li>\n<\/ul>\n<\/li>\n
        • Adjusting for camera correction with Exposure, Color Temp, and Tint<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/td>\n
    		\n

    \"\"<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Colorfront Engine Live Mode” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    Colorfront Engine Live Mode provides conversions and controls that support live applications such as broadcast, OTT, A\/V, and venue.<\/p>\n
      \n
    • SDR, HLG, PQ, and Sony, ARRI, RED, Panasonic, and Canon transforms<\/li>\n
    • HDR Log Look, SDR Softness, HDR Amount, Ambient Light Compensation, P3 Clamp<\/li>\n
    • Adjusting R,G,B, and Master color controls for:\n
        \n
      • Lift, Gamma, and Gain<\/li>\n<\/ul>\n<\/li>\n
      • Adjusting for camera correction with Exposure, Color Temp, and Tint<\/li>\n<\/ul>\n<\/td>\n
    		\n

    \"\"<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”ORION-CONVERT Pipeline” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    ORION-CONVERT brings the power of Cromorama color science to real time hardware based conversion. This same color science is responsible for the Emmy nominated and IBC 2021 Special Award winning NBCU LUT based HDR-SDR broadcast workflows, as well as UEFA Euro 2020, Tokyo 2020 Olympics, FIFA 2021 Arab Cup, Beijing 2022 Winter Olympics, and the\u00a0FIFA 2022 Qatar World Cup amongst others. \u00a0<\/p>\n

    ORION-CONVERT offers the necessary tools for broadcasters to create and deliver the HDR and SDR content consumers expect from a single master HDR workflow by providing critical controls required to set up the right conversion for your production.\u00a0By being able to set the HDR and SDR reference anchor points in an HDR to SDR conversion, you can target an SDR program output that suits your market\u2019s\u00a0SDR display needs. You can target 200 nits SDR resulting in a much more representative image for the camera shader and a more vibrant HDR image for the viewer at home or target a perceptual match at 100 nits SDR.\u00a0Also, in an HDR to SDR conversion, the unique 2 stage knee offers a pre-conversion compression in HDR only and a post-conversion compression in SDR only providing very effective roll off management control.\u00a0The new Gamma Compensation feature applies the optional OOTF (as described in section 5.1 of ITU-R BT.2408-5) to compensate for the subjective change in appearance between SDR and HDR ensuring compatibility between different color conversion philosophies.<\/p>\n

    This is a licensable upgrade and includes:<\/p>\n

      \n
    • Conversions utilizing floating point math for higher precision results<\/li>\n
    • SDR, HLG, and PQ transforms<\/li>\n
    • Scene-light and Display-light modes<\/li>\n
    • 2-stage Knee adjustment for pre and post conversion compression or expansion\n
        \n
      • Compression amount control in HDR to SDR conversions<\/li>\n
      • Expansion amount control in SDR to HDR conversions<\/li>\n<\/ul>\n<\/li>\n
      • Configurable SDR and HDR reference anchor points<\/li>\n
      • HDR Peak Nit sets the system gamma for display light conversions<\/li>\n
      • Gamma Compensation setting to compensate for the subjective change in appearance between SDR and HDR<\/li>\n
      • Easy to configure pixel perfect round tripping<\/li>\n
      • Clamping options<\/li>\n
      • Full bypass node for 12G-SDI and HDMI<\/li>\n
      • Support for ITU BT.2408, Operational Practices in HDR Television Production<\/li>\n<\/ul>\n

        This toolset enables HDR workflows to be set up and easily replicated utilizing ColorBox preset import and export capabilities.<\/p>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”BBC HLG LUT Pipeline” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    BBC HLG LUTs Pipeline offers additional functionality that adds field proven HDR conversion options, particularly for television broadcasters who are looking for specific conversion criteria.\u00a0 This mode provides an RGB Color Corrector and Proc Amp to color correct the signal prior to conversion.<\/p>\n

    This is a licensable option and includes v1.6 BBC HLG LUTs:<\/p>\n

      \n
    • SDR, PQ, and S-Log3 to HLG<\/li>\n
    • HLG to SDR and PQ<\/li>\n
    • Scene-light and Display-light conversions<\/li>\n
    • Utilizes 33 point Tetrahedral 3D LUT Interpolation<\/li>\n
    • Proc Amp and Color Corrector<\/li>\n
    • Full bypass node for 12G-SDI and HDMI 2.0<\/li>\n
    • Support for mathematical HLG HDR dynamic range mapping per ITU BT.2408<\/li>\n<\/ul>\n

      BBC HLG LUT Conversions<\/p>\n

        \n
      • SDR Scene Referred (SR) to HLG<\/li>\n
      • SDR Scene Referred (SR) to HLG Strict<\/li>\n
      • SDR Scene Referred (SR) UpMap to HLG<\/li>\n
      • SDR Scene Referred (SR) UpMap to HLG Strict<\/li>\n
      • SDR Display Referred (DR) to HLG<\/li>\n
      • SDR Display Referred (DR) UpMap to HLG<\/li>\n
      • SDR BT.2020 Display Referred (DR) to HLG<\/li>\n
      • SDR BT.2020 Display Referred (SR) UpMap to HLG<\/li>\n
      • PQ 1000 Nits Display Referred (DR) to HLG<\/li>\n
      • PQ 4000 Nits Display Referred (DR) to HLG<\/li>\n
      • S-Log3 100% Scene Referred (SR) to HLG<\/li>\n
      • S-Log3 200% Scene Referred (SR Live) to HLG<\/li>\n
      • HLG to SDR Scene Referred (SR)<\/li>\n
      • HLG to SDR Scene Referred (SR) Strict<\/li>\n
      • HLG to SDR Display Referred (DR) Color Appearance Model (CAM)<\/li>\n
      • HLG to SDR Display Referred (DR) Super White<\/li>\n
      • HLG to PQ 1000 Nits Display Referred (DR)<\/li>\n
      • HLG to SDR BT.2020 Display Referred(DR) Super White<\/li>\n
      • SDR Scene Referred (SR) to HLG to SDR Display Referred (DR)<\/li>\n<\/ul>\n

        This toolset enables HDR workflows to be set up and easily replicated utilizing ColorBox preset import and export capabilities.<\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”4K\/UltraHD Frame Capture and Recall” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    Unique to a device in its class, ColorBox has incredible frame capture and recall up to 4K\/UltraHD 16-bit .tiff files allowing you to capture pre or post processed reference images. Multiple use cases are possible, from VFX composite checks, to look comparisons between takes to ensure consistency, and general reference image capture, recall and import\/export to validate the color processing pipeline. Frames can be stored locally on ColorBox for easy access or saved directly to a computer running third party software like Livegrade and Assimilate. Capture or recall up to 16 full resolution images locally with an option to include the Overlay if needed. If the resolution of the image doesn\u2019t match your target format, ColorBox can even scale it to fit.<\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Test Pattern Generator” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    ColorBox can also output standard test patterns, without the need for an active input. ColorBox test patterns can be used in any number of scenarios where a test signal is needed rather than a source signal. The test patterns are configurable to output a wide range of video formats and frame rates.<\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”RGB Color Correction and Proc Amp” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    In AJA Color Pipeline, the 1D LUTs can be configured as a RGB Color Corrector and the 3\u00d73 matrices as a Proc Amp.\u00a0 This allows for source color correction and image control prior to or after performing a 3D LUT transform ensuring the best possible conversion. BBC HLG LUTs and NBCU LUTs pipelines also offer a RGB Color Corrector and Proc Amp prior to 3D LUT processing.<\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Advanced ANC Metadata Management and Overlay” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    ColorBox offers several important features, from overlaying selected metadata and user data on the video for live use, capturing or embedding in the .tiff file for later use, or just passing ANC metadata to the next device. By storing the ANC data, one can quickly come back to and recall the exact camera settings, pipeline configuration, etc., that created an image. ColorBox also offers a customizable user text field that is great for overlaying any information on an image needing to be conveyed to an observer, such as camera or lens information, if the camera can\u2019t provide it.\u00a0\u00a0<\/p>\n

    When setting up a shot, many factors need to be considered when framing it. The camera manufacturer, the sensor size, the lens, and the target aspect ratio all play a role. The ability to see frame lines on-set gives the production the best chance at capturing the shot composition correctly for the project from the get go. New with ColorBox is User Overlay, providing the ability to import and overlay custom images onto the output. Those images could be frame lines or any other image, such as a logo,\u00a0imported as .png files to the Overlay library and recalled along with or without the already available overlay information.\u00a0<\/p>\n

    User Text and User Overlay can also be stored on the captured image as part of the Overlay. Additional Overlay accessible data includes Input and Output VPID, Timecode presence, Closed Captioning presence, and Pipeline Configuration. Output HDMI infoframe status is also available in the UI.<\/p>\n<\/div>\n

     <\/p>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”The Largest Onboard Libraries Available” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    ColorBox offers the largest library capacity of any equivalent device in its class, providing a wealth of creative choice onset or anywhere in the production pipeline. Set up an easy to access bank of options for any shoot, then recall the same settings just as easily in post. 16x onboard memory slots are available for each category of supported files; 1D LUTs, 3D LUTs, 3\u00d73 Matrices, Images, and Overlays.<\/p>\n

    Ten pipeline presets can be stored per pipeline, and all can be imported and exported to\/from ColorBox. Pipeline Presets store all settings needed to replicate a configured transform. Included is also a Startup Preset setting that allows an operator to select a specific preset to be loaded upon power up, guaranteeing a known startup state. The Pipeline Presets for AJA Color Pipeline stores all files loaded into the pipeline, active or not, for easy setup and transfer between devices.<\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Flexible Control via LAN or Wirelessly” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    Access to the intuitive web UI control with Video Preview for confidence monitoring from a standard web browser via LAN or supported third\u00a0party WiFi USB adapters*, allowing local and remote operation.<\/p>\n

    *See Tech Specs for supported adapters<\/em><\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”Workflows” _builder_version=”4.22.2″ custom_padding=”38px|0px|0px|0|false|false” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_color=”rgba(246,246,246,0)” width=”94%” width_tablet=”80%” width_phone=”80%” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_phone=”80%” max_width_last_edited=”on|desktop” custom_margin=”|||” custom_padding=”0|0px|0px|0px|false|false” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n

    ColorBox Workflows<\/h1>\n

    [\/et_pb_text][et_pb_tabs active_tab_text_color=”#0C71C3″ _builder_version=”4.22.2″ tab_font_size=”12px” background_color=”#ffffff” box_shadow_style=”preset6″ global_colors_info=”{}”][et_pb_tab title=”4K Production Workflow On-Set Look Management” _builder_version=”4.22.2″ background_enable_image=”off” global_colors_info=”{}”]<\/p>\n\n\n\n
    In this production workflow, we see an on-set 12G-SDI signal from a 4K cinema camera system passed to the ColorBox via the 12G-SDI in. The ColorBox has a 3D LUT applied, which simulates a film look and is monitored for the DIT over the HDMI 2.0 out. At the same time, the DP monitors the same 3D LUT applied video via 12G-SDI\u00a0for more critical feedback. Different 3D LUTs are selectable to suit the needs of the production, with easy control provided by the DIT. The loop through on ColorBox is connected to the Ki Pro Ultra 12G\u00a0for high quality capture of the video signal without the LUT applied. Third\u00a0party tools can adjust Color Decision Lists (CDL) values on the fly for on-set color grading. Download Workflow<\/a><\/td>\n\n

    \"\"<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”4K Production Workflow Dailies Looks Playback” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    In this production workflow, we see the dailies being played back from an AJA Ki Pro Ultra 12G\u00a0via the 12G-SDI out, passed to the ColorBox device. Using a laptop and an HDMI 2.0 monitor\u00a0alongside ColorBox offers a powerful solution in a relatively small area, easily deployed in a small hotel room or modest meeting room. The LUTs used earlier in the day’s shooting are easily accessible and applied to match the playback needs, including the options to tweak or audition alternate looks as well, all in real time. Download Workflow<\/a><\/td>\n\n

    \"\"<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”HDR\/SDR On-Set Color Grading Workflow” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    In this production workflow, the 12G-SDI output of a 4K camera is routed via an AJA\u00a0KUMO 3232-12G SDI router to two ColorBoxes, A and B. ColorBox A is set up to output an HDR video signal to a 4K HDR monitor\u00a0via the KUMO 3232-12G. At the same time, ColorBox B is providing an SDR video signal to a 4K SDR monitor via the KUMO 3232-12G. Valuable feedback from real\u00a0time comparisons of the HDR and SDR video outputs can again save time and money, ensuring the recorded video best matches the needs of all deliverable formats.<\/p>\n

    Download Workflow<\/a><\/p>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”UltraHD Live Production Workflow HDR Conversion and Management” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    In this live television OB truck production workflow, we see a number of 12G-SDI outputs from UltraHD television camera systems that are passed to a number of ColorBoxes via the 12G-SDI in. SDR to HDR conversion is provided by the ColorBox units, in this case converting each input to be HLG on the output to suit the needs of the current live production single master HDR workflow. ColorBoxes on the output of the switcher\u00a0convert HLG to different deliverable formats, including SDR and PQ.\u00a0 As sources are added, more ColorBox units can be included easily to accommodate the production as it scales. Download Workflow<\/a><\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”4K Postproduction Workflow NLE Looks Management” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    In this postproduction workflow, a ColorBox is being used inline from the 12G-SDI output of an AJA Io 4K Plus. The timeline output is passed to the output of the Io 4K Plus and out to the ColorBox, where LUTs can be applied to the 12G-SDI monitored output without the need for rendering until later in the process. This allows editors to be nimble with auditioning looks\u00a0and making decisions without having to wait for complex renders. Download Workflow<\/a><\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Flexible Control via LAN or Wirelessly” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    Access to the intuitive web UI control with Video Preview for confidence monitoring from a standard web browser via LAN or supported third\u00a0party WiFi USB adapters*, allowing local and remote operation.<\/p>\n

    *See Tech Specs for supported adapters<\/em><\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”38px|0px|0px|0|false|false” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ background_color=”rgba(246,246,246,0)” width=”94%” width_tablet=”80%” width_phone=”80%” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_phone=”80%” max_width_last_edited=”on|desktop” custom_margin=”|||” custom_padding=”0|0px|0px|0px|false|false” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n

    Partner Integrations<\/h1>\n

    <\/p>\n

    To control the rich feature set of ColorBox beyond the built-in web UI, ColorBox offers a comprehensive set of tools to enable third\u00a0parties to develop their own native control.\u00a0 Using a RESTful API defined using OpenAPI, the protocol is presented intuitively allowing both humans and computers to discover, interact, and understand ColorBox capabilities.\u00a0 To support developers, several OpenAPI generated programming language implementations are included with example projects, visit the ColorBox Support page.<\/div>\n

    [\/et_pb_text][et_pb_tabs active_tab_text_color=”#0C71C3″ _builder_version=”4.22.2″ tab_font_size=”12px” background_color=”#ffffff” box_shadow_style=”preset6″ global_colors_info=”{}”][et_pb_tab title=”Pomfort” _builder_version=”4.22.2″ background_enable_image=”off” global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    “Pomfort\u2019s Livegrade products deliver comprehensive digital imaging systems for demanding productions, tying together look management and on-set monitoring integrated with a wide range of camera workflows and setups,”\u00a0says\u00a0Patrick Renner, Head of Product at Pomfort.\u00a0\u201cAJA’s ColorBox enables us to dynamically control 3D LUTs in Livegrade, getting framegrabs via Frame Store, and pulling ancillary data, including camera and lens metadata, into source signals.”<\/p>\n

    https:\/\/kb.pomfort.com\/livegrade\/setting-up-devices\/setting-up-aja-colorbox\/<\/a><\/p>\n<\/div>\n<\/td>\n

    		\n

    \"\"<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”QTAKE Video Assist” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    QTAKE Video Assist software natively controls ColorBox as an external realtime color processor utilizing the 33pt. 3D LUT and up to 4K\/UltraHD resolution within the AJA Color Pipeline (ACP) mode, to provide support for\u00a0the highest quality external color processing device currently available in QTAKE. This support is provided within the QTAKE Video Assist application\u00a0as a part of GRADE Module.<\/p>\n

    https:\/\/qtakehd.com\/<\/a><\/strong><\/p>\n<\/div>\n<\/td>\n

    		\n

    \"\"<\/h4>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Assimilate” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

     <\/p>\n

    \u00a0<\/h3>\n
    \n

    “AJA ColorBox takes LUT boxes to a whole new level, providing sophisticated color pipeline setups unlike anything we\u2019ve seen before,\u201d shared Mazze Aderhold, Chief strategic workflow engineer at Assimilate. “Professionals can use it to combine multiple LUTs and color matrices to ensure their desired look with an intuitive web UI that makes it easy to operate. We\u2019re proud to continue advancing on-set look management workflows with Live Looks and Live Assist support for ColorBox.\u201d<\/p>\n

    https:\/\/www.assimilateinc.com\/<\/a><\/strong><\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”SKAARHOJ” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \u201cSKAARHOJ is excited to integrate AJA ColorBox with our RCP broadcast controllers and Blue Pill platform. Together, these solutions will support best practices out of the box and enable endless color control possibilities,\u201d shares\u00a0SKAARHOJ CEO, Founder, and Chief Designer Kasper Sk\u00e5rh\u00f8j.<\/p>\n

    https:\/\/www.skaarhoj.com\/<\/a><\/strong><\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”CyanView” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    “When producing live events, camera shading is often combined with live post-processing adjustments. AJA ColorBox provides a flexible hardware processing solution with nodes that ensure accurate mappings as multiple camera types, and brands are implemented, and unprecedented color fidelity for live and postproduction HRD\/SDR workflows,\u201d shared David Bourgeois, CEO & Founder, CyanView. \u201cCyanView RCP combines multiple integrations to provide a seamless hardware interface similar to a typical broadcast workflow and gives ColorBox users more tactile control over these functions. Its intuitive control panel buttons combined with the color accuracy of ColorBox make it easy for the operator to complete post-process adjustments as efficiently as if they were done in camera.\u201d<\/p>\n

    https:\/\/www.cyanview.com\/<\/a><\/strong><\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Portrait Displays\u2019 Calman integration” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    Portrait Displays\u2019 Calman display calibration software natively controls ColorBox to generate high quality custom test patches necessary for professional display calibration.\u00a0In addition, it takes advantage of the AJA Color Pipeline and its 1D and 3D LUTs to apply the calibration.<\/p>\n

    \u201cPortrait Displays is excited to integrate Calman,\u00a0the world\u2019s leading calibration software,\u00a0with AJA\u2019s ColorBox.\u00a0With built-in pattern generation and the ability to optimize displays with both 1D and 3D LUTs, creatives now have a sophisticated toolset for highly accurate calibrations of any display via HDMI or SDI.\u201d \u2013 Scott Anderson, CPO & EVP.<\/p>\n

    https:\/\/www.portrait.com\/<\/a><\/strong><\/p>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”LIGHT ILLUSION” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    \u00a0<\/h3>\n
    \n

    LIGHT ILLUSION\u2019s ColourSpace display calibration software natively controls ColorBox to generate high quality custom test patches necessary for professional display calibration.\u00a0In addition, it takes advantage of the AJA Color Pipeline and its 1D and 3D LUTs to apply the calibration.<\/p>\n

    https:\/\/www.lightillusion.com\/<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][et_pb_tab title=”Industry Leading Support” _builder_version=”4.22.2″ global_colors_info=”{}”]<\/p>\n\n\n\n
    \n

    \u00a0<\/h3>\n
    \n

    \u00a0<\/h3>\n
    AJA\u2019s technical support is recognized as among the best in the industry and is available to all AJA customers. If you need assistance with any aspect of your ColorBox\u00a0installation, configuration, operation,\u00a0or encounter any technical issues,\u00a0AJA Support<\/a>\u00a0will work with you to get up and running. ColorBox products are covered by a generous three year warranty.<\/div>\n<\/div>\n<\/td>\n

    		\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_id=”Tech Specs” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.2″ _module_preset=”default” width=”94%” max_width=”2560px” module_alignment=”center” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_toggle title=”Tech Specs” _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

    \n

    <\/p>\n

    \n

    HDR\/WCG Real Time Processor<\/h3>\n<\/div>\n

    <\/p>\n

    \n
      \n
    • HDR Conversions\n
        \n
      • HDR to HDR<\/li>\n
      • HDR to SDR<\/li>\n
      • SDR to HDR<\/li>\n<\/ul>\n<\/li>\n
      • Colorimetry\n
          \n
        • BT.709 and BT.2020<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n

          <\/p>\n

          \u00a0<\/div>\n

          <\/p>\n

          \n

          <\/p>\n

          \n

          Video Formats<\/h3>\n<\/div>\n

          <\/p>\n

          \n
            \n
          • (4K) 4096x2160p<\/li>\n
          • (UltraHD) 3840x2160p<\/li>\n
          • (2K) 2048x1080p<\/li>\n
          • (HD) 1920x1080p<\/li>\n
          • (HD) 1920x1080i<\/li>\n
          • (HD) 1280x720p<\/li>\n<\/ul>\n<\/div>\n

            <\/p>\n

            \u00a0<\/div>\n

            <\/p>\n

            \n

            <\/p>\n

            \n

            Color Processing Pipeline<\/h3>\n<\/div>\n

            <\/p>\n

            \n
              \n
            • Processes in 12-bit RGB<\/li>\n
            • 5x pipelines; AJA Color, Colorfront, ORION-CONVERT, BBC HLG LUTs, NBCU LUTs<\/li>\n
            • 7x processing nodes plus Overlay in AJA Color; 4x 1D LUTs, 2x 3×3 Matrices, 1x 3D LUT<\/li>\n<\/ul>\n<\/div>\n

              <\/p>\n

              \u00a0<\/div>\n

              <\/p>\n

              \n

              <\/p>\n

              \n

              AJA Color Pipeline (ACP)<\/h3>\n<\/div>\n

              <\/p>\n

              \n
                \n
              • 7x nodes in order of processing:\n
                  \n
                • 1D LUT, 3×3 Matrix, 1D LUT, 3D LUT, 1D LUT, 3×3 Matrix, 1D LUT, Overlay<\/li>\n<\/ul>\n<\/li>\n
                • 3D LUT configurable as LUT or Dynamic\n
                    \n
                  • Supports custom 33 point .CUBE, .SPI3D, and .3DL format 3D LUTs*<\/li>\n<\/ul>\n<\/li>\n
                  • 1D LUTs configurable as LUT, Dynamic, or Color Corrector\n
                      \n
                    • Supports custom 10 and 12-bit .CUBE and .SPI1D format 1D LUTs<\/li>\n<\/ul>\n<\/li>\n
                    • 3×3 Matrices configurable as Matrix, Dynamic, or Proc Amp\n
                        \n
                      • Supports custom .SPIMTX format matrices<\/li>\n<\/ul>\n<\/li>\n
                      • Tetrahedral 3D LUT interpolation<\/li>\n
                      • Configurable Color Space, Range, and Transfer Characteristic<\/li>\n
                      • Nonvolatile storage of 16x 3D LUTs, 16x 1D LUTs, and 16x 3×3 Matrices<\/li>\n
                      • Overlay<\/li>\n<\/ul>\n

                        \u00a0 *Various 3D LUT sizes are supported, but will be converted to 33 point for processing<\/p><\/div>\n

                        <\/p>\n

                        \u00a0<\/div>\n

                        <\/p>\n

                        \n

                        <\/p>\n

                        \n

                        Dynamic LUT Processing<\/h3>\n<\/div>\n

                        <\/p>\n

                        \n
                          \n
                        • Supports third party apps for automatic loading and display of 3D LUTs<\/li>\n
                        • Reflects dynamic changes in real time from source software<\/li>\n
                        • Full frame LUT processing<\/li>\n
                        • Supported by\n
                            \n
                          • Pomfort Livegrade Pro and Studio<\/li>\n
                          • Assimilate Live Looks and Live Assist<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div>\n

                            <\/p>\n

                            \u00a0<\/div>\n

                            <\/p>\n

                            \n

                            <\/p>\n

                            \n

                            Colorfront Pipeline<\/h3>\n<\/div>\n

                            <\/p>\n

                            \n
                              \n
                            • Processing Based on Human Perception Model<\/li>\n
                            • Perceptually optimized color volume remapping<\/li>\n
                            • Preserves the original creative intent<\/li>\n
                            • TV Mode for applications such as television broadcast<\/li>\n
                            • Live Mode for applications such as broadcast, OTT, A\/V<\/li>\n
                            • Input Video Dynamic Range\/Color Gamut (varies by mode)\n
                                \n
                              • SDR BT.709 100 Nits<\/li>\n
                              • SDR Extended BT.709<\/li>\n
                              • PQ BT.2020 1000 Nits<\/li>\n
                              • PQ P3D65 1000 Nits<\/li>\n
                              • Hybrid Log Gamma BT.2100<\/li>\n
                              • HLG Extended BT.709<\/li>\n
                              • HLG Extended BT.2100<\/li>\n
                              • Sony S-Log3 S-Gamut3<\/li>\n
                              • Sony S-Log3 S-Gamut3 Cine<\/li>\n
                              • Sony S-Log3 BT.2020<\/li>\n
                              • ARRI Log C Wide Gamut<\/li>\n
                              • ARRI LogC4 Wide Gamut 4<\/li>\n
                              • Panasonic V-log<\/li>\n
                              • RED Log3G10 Wide Gamut<\/li>\n
                              • Canon Log 2<\/li>\n
                              • Canon Log 3<\/li>\n<\/ul>\n<\/li>\n
                              • Output Video Dynamic Range\/Color Gamut (varies by mode)\n
                                  \n
                                • SDR BT.709 100 Nits<\/li>\n
                                • SDR Extended BT.709<\/li>\n
                                • PQ BT.2020 1000 Nits<\/li>\n
                                • PQ BT.2020 ConstrainP3<\/li>\n
                                • PQ P3D65 1000 Nits<\/li>\n
                                • Hybrid Log Gamma BT.2100<\/li>\n
                                • HLG Extended BT.709<\/li>\n
                                • HLG Extended BT.2100<\/li>\n
                                • Sony S-Log3 S-Gamut3<\/li>\n
                                • Sony S-Log3 BT.2020<\/li>\n
                                • ARRI Log C Wide Gamut<\/li>\n
                                • ARRI LogC4 Wide Gamut 4<\/li>\n<\/ul>\n<\/li>\n
                                • TV Mode controls\n
                                    \n
                                  • Highlight management: Brightness, Highlight, Super Highlight<\/li>\n
                                  • Colorfulness control for managing the Hunt Effect<\/li>\n
                                  • Color Correction: Lift, Gamma, Gain, Saturation<\/li>\n
                                  • Camera Correction: Exposure, Color Temp, Tint<\/li>\n
                                  • Roundtrip control ensures technical match<\/li>\n
                                  • Clamp to Legal<\/li>\n<\/ul>\n<\/li>\n
                                  • Live Mode controls\n
                                      \n
                                    • HDR Amount<\/li>\n
                                    • Ambient Light Compensation control<\/li>\n
                                    • HDR Log Look<\/li>\n
                                    • SDR Softness control<\/li>\n
                                    • Color Correction: Lift, Gamma, Gain, Saturation<\/li>\n
                                    • Camera Correction: Exposure, Color Temp, Tint<\/li>\n
                                    • PQ Output Nit level: 48-4000 Nit<\/li>\n
                                    • PQ Output P3 Colorspace Clamp<\/li>\n
                                    • ITU-R BT.2408 Mode control<\/li>\n<\/ul>\n<\/li>\n
                                    • Overlay<\/li>\n<\/ul>\n<\/div>\n

                                      <\/p>\n

                                      \u00a0<\/div>\n

                                      <\/p>\n

                                      \n

                                      <\/p>\n

                                      \n

                                      ORION-CONVERT Pipeline<\/h3>\n<\/div>\n

                                      <\/p>\n

                                      \n
                                        \n
                                      • Conversion algorithm that uses floating point math<\/li>\n
                                      • Pre and post transform Knee and Amount controls<\/li>\n
                                      • Display-Light and Scene-Light Modes<\/li>\n
                                      • Configurable HDR and SDR IRE Reference anchor points<\/li>\n
                                      • Configurable HDR Peak Nits sets system gamma for display light conversions<\/li>\n
                                      • Gamma Compensation<\/li>\n
                                      • Configurable Output Clamping<\/li>\n
                                      • Input Video Dynamic Range\/Color Gamut\n
                                          \n
                                        • SDR BT.709<\/li>\n
                                        • PQ BT.2020<\/li>\n
                                        • HLG BT.2100<\/li>\n<\/ul>\n<\/li>\n
                                        • Output Video Dynamic Range\/Color Gamut\n
                                            \n
                                          • SDR BT.709<\/li>\n
                                          • PQ BT.2020<\/li>\n
                                          • HLG BT.2100<\/li>\n<\/ul>\n<\/li>\n
                                          • Overlay<\/li>\n<\/ul>\n<\/div>\n

                                            <\/p>\n

                                            \u00a0<\/div>\n

                                            <\/p>\n

                                            \n

                                            <\/p>\n

                                            \n

                                            BBC HLG LUTs Pipeline<\/h3>\n<\/div>\n

                                            <\/p>\n

                                            \n
                                              \n
                                            • Mathematical dynamic range mapping per ITU-R BT.2408\n
                                                \n
                                              • SDR\/BT.709 Scene Referred to HLG\/BT.2100 v1.6<\/li>\n
                                              • SDR\/BT.709 Scene Referred to HLG\/BT.2100 Strict v1.6<\/li>\n
                                              • SDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 v1.6<\/li>\n
                                              • SDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 Strict v1.6<\/li>\n
                                              • SDR\/BT.709 Display Referred to HLG\/BT.2100 v.1.6<\/li>\n
                                              • SDR\/BT.709 Display Referred UpMap to HLG\/BT.2100 v1.6<\/li>\n
                                              • SDR\/BT.2020 Display Referred to HLG\/BT.2100 v1.6<\/li>\n
                                              • SDR\/BT.2020 Display Referred UpMap to HLG\/BT.2100 v1.6<\/li>\n
                                              • PQ 1000 Nits Display Referred to HLG\/BT.2100 v1.6<\/li>\n
                                              • PQ 4000 Nits Display Referred to HLG\/BT.2100 v1.6<\/li>\n
                                              • S-Log3\/BT.2020 100% Scene Referred to HLG\/BT.2100 v1.6<\/li>\n
                                              • S-Log3\/BT.2020 200% Scene Referred(SR-Live) to HLG\/BT.2100 v1.6<\/li>\n
                                              • HLG\/BT.2100 to SDR\/BT.709 Scene Referred v1.6<\/li>\n
                                              • HLG\/BT.2100 to SDR\/BT.709 Scene Referred Strict v1.6<\/li>\n
                                              • HLG\/BT.2100 to SDR\/BT.709 Display Referred Color Appearance Model v1.6<\/li>\n
                                              • HLG\/BT.2100 to SDR\/BT.709 Display Referred Super White v1.6<\/li>\n
                                              • HLG\/BT.2100 to PQ 1000 Nits Display Referred v1.6<\/li>\n
                                              • HLG\/BT.2100 to SDR\/BT.2020 Display Referred Super White v1.6<\/li>\n
                                              • SDR\/BT.709 Scene Referred UpMap to HLG\/BT.2100 to SDR\/BT.709 Display Referred v1.6<\/li>\n<\/ul>\n<\/li>\n
                                              • RGB Color Corrector and ProcAmp<\/li>\n
                                              • Overlay<\/li>\n<\/ul>\n<\/div>\n

                                                <\/p>\n

                                                \u00a0<\/div>\n

                                                <\/p>\n

                                                \n

                                                <\/p>\n

                                                \n

                                                NBCU LUTs Pipeline<\/h3>\n<\/div>\n

                                                <\/p>\n

                                                \n
                                                  \n
                                                • NBCU LUTs developed by NBCUniversal Media, LLC\n
                                                    \n
                                                  • 1-NBCU_SDR2HLG_DL_v1.1, SDR UpMap to HLG using Display Light v1.1<\/li>\n
                                                  • 2-NBCU_SDR2HLG_SL_v1, SDR to HLG using Scene Light v1.0<\/li>\n
                                                  • 3-NBCU_HLG2SDR_DL_v1.1, HLG to SDR using Display Light v1.1<\/li>\n
                                                  • 4-NBCU_SDR2PQ_DL_v1, SDR UpMap to PQ using Display Light v1.0<\/li>\n
                                                  • 5-NBCU_PQ2SDR_DL_v1, PQ to SDR using Display Light v1.0<\/li>\n
                                                  • 7-NBCU_HLG10002PQ_v1, HLG 1000 Nits to PQ v1.0<\/li>\n<\/ul>\n<\/li>\n
                                                  • RGB Color Corrector and ProcAmp<\/li>\n
                                                  • Overlay<\/li>\n<\/ul>\n<\/div>\n

                                                    <\/p>\n

                                                    \u00a0<\/div>\n

                                                    <\/p>\n

                                                    \n

                                                    <\/p>\n

                                                    \n

                                                    Video Input and Output SDI<\/h3>\n<\/div>\n

                                                    <\/p>\n

                                                    \n
                                                      \n
                                                    • 1x 12G-SDI Input BNC, SMPTE-292\/424\/2081\/2082<\/li>\n
                                                    • 2x 12G-SDI Output BNCs, SMPTE-292\/424\/2081\/2082<\/li>\n
                                                    • YCbCr 4:2:2\/4:4:4<\/li>\n
                                                    • RGB 4:4:4, SMPTE or Full level<\/li>\n
                                                    • 10 or 12-bit<\/li>\n
                                                    • 1x 12G-SDI\n
                                                        \n
                                                      • (4K) 4096x2160p 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60<\/li>\n
                                                      • (UltraHD) 3840x2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60<\/li>\n<\/ul>\n<\/li>\n
                                                      • 1x 6G-SDI\n
                                                          \n
                                                        • (4K) 4096x2160p 23.98, 24, 25, 29.97, 30<\/li>\n
                                                        • (UltraHD) 3840x2160p 23.98, 24, 25, 29.97, 30<\/li>\n<\/ul>\n<\/li>\n
                                                        • 1x 3G-SDI (Level A or B-Dual Link)\n
                                                            \n
                                                          • (2K) 2048x1080p 23.98, 24, 25, 47.95, 48, 50<\/li>\n
                                                          • (2K) 2048x1080PsF 23.98, 24, 25<\/li>\n
                                                          • (HD) 1920x1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60<\/li>\n
                                                          • (HD) 1920x1080PsF 23.98, 24, 25, 29.97, 30<\/li>\n
                                                          • (HD) 1920x1080i 50, 59.94, 60<\/li>\n
                                                          • (HD) 1280x720p 50, 59.94, 60<\/li>\n<\/ul>\n<\/li>\n
                                                          • 1x 1.5G-SDI\n
                                                              \n
                                                            • (2K) 2048x1080p 23.98, 24, 25, 29.97, 30<\/li>\n
                                                            • (2K) 2048x1080PsF 23.98, 24, 25<\/li>\n
                                                            • (HD) 1920x1080p 23.98, 24, 25, 29.97, 30<\/li>\n
                                                            • (HD) 1920x1080PsF 23.98, 24, 25, 29.97, 30<\/li>\n
                                                            • (HD) 1920x1080i 50, 59.94, 60<\/li>\n
                                                            • (HD) 1280x720p 50, 59.94, 60<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

                                                              \u00a0 Note:<\/strong>\u00a0Raster and Frame Rate Dependent, please see ColorBox Video Formats in Documents and Manual<\/div>\n

                                                              <\/p>\n

                                                              \u00a0<\/div>\n

                                                              <\/p>\n

                                                              \n

                                                              <\/p>\n

                                                              \n

                                                              Video Output HDMI<\/h3>\n<\/div>\n

                                                              <\/p>\n

                                                              \n
                                                                \n
                                                              • 1x HDMI Type A connector*, HDMI v2.0b<\/li>\n
                                                              • HDR infoframe generation with pass-through for Colorimetry and Transfer Characteristic<\/li>\n
                                                              • YCbCr 4:2:2<\/li>\n
                                                              • RGB 4:4:4,\u00a0SMPTE or Full level<\/li>\n
                                                              • 8, 10, or 12-bit (HFR 4K\/UltraHD 4:4:4 limited to 8-bit)<\/li>\n
                                                              • 4K\/UltraHD\/2K\/HD<\/li>\n<\/ul>\n

                                                                \u00a0 *<\/strong>If a connected monitor doesn\u2019t support HDMI\u00a0protocol the unit automatically switches to DVI protocol (which does not pass audio) Note:<\/strong>\u00a0Raster and Frame Rate Dependent, please see ColorBox Video Formats in Documents and Manual<\/div>\n

                                                                <\/p>\n

                                                                \u00a0<\/div>\n

                                                                <\/p>\n

                                                                \n

                                                                <\/p>\n

                                                                \n

                                                                Video Processing<\/h3>\n<\/div>\n

                                                                <\/p>\n

                                                                \n
                                                                  \n
                                                                • Nominal video delay is less than 1\/2 video line<\/li>\n
                                                                • Motion adaptive deinterlacer<\/li>\n
                                                                • Proc Amp controls<\/li>\n
                                                                • Color corrector<\/li>\n
                                                                • Legalizer<\/li>\n<\/ul>\n<\/div>\n

                                                                  <\/p>\n

                                                                  \u00a0<\/div>\n

                                                                  <\/p>\n

                                                                  \n

                                                                  <\/p>\n

                                                                  \n

                                                                  Frame Store<\/h3>\n<\/div>\n

                                                                  <\/p>\n

                                                                  \n
                                                                    \n
                                                                  • Capture and Recall up to 4K\/UltraHD 16-bit .TIFF<\/li>\n
                                                                  • Capture and Recall .TIFF, .PNG, .JPEG<\/li>\n
                                                                  • Capture input or output<\/li>\n
                                                                  • Nonvolatile storage of 16 images<\/li>\n<\/ul>\n<\/div>\n

                                                                    <\/p>\n

                                                                    \u00a0<\/div>\n

                                                                    <\/p>\n

                                                                    \n

                                                                    <\/p>\n

                                                                    \n

                                                                    Test Pattern Generator<\/h3>\n<\/div>\n

                                                                    <\/p>\n

                                                                    \n
                                                                      \n
                                                                    • 10 or 12-bit<\/li>\n
                                                                    • 14x\u00a0patterns built-in<\/li>\n
                                                                    • SDR and HDR test patterns<\/li>\n<\/ul>\n<\/div>\n

                                                                      <\/p>\n

                                                                      \u00a0<\/div>\n

                                                                      <\/p>\n

                                                                      \n

                                                                      <\/p>\n

                                                                      \n

                                                                      Ancillary Data<\/h3>\n<\/div>\n

                                                                      <\/p>\n

                                                                      \n
                                                                        \n
                                                                      • All embedded ANC packets pass-through, including camera ancillary data<\/li>\n<\/ul>\n<\/div>\n

                                                                        <\/p>\n

                                                                        \u00a0<\/div>\n

                                                                        <\/p>\n

                                                                        \n

                                                                        <\/p>\n

                                                                        \n

                                                                        Overlay<\/h3>\n<\/div>\n

                                                                        <\/p>\n

                                                                        \n
                                                                          \n
                                                                        • User Text<\/li>\n
                                                                        • Input and Output ancillary information, including VPID<\/li>\n
                                                                        • Timecode presence<\/li>\n
                                                                        • Closed Captioning presence<\/li>\n
                                                                        • Pipeline Configuration<\/li>\n
                                                                        • User Overlay, Recall .PNG overlay images up to 4096×2160<\/li>\n
                                                                        • Nonvolatile storage of 16 overlays<\/li>\n<\/ul>\n<\/div>\n

                                                                          <\/p>\n

                                                                          \u00a0<\/div>\n

                                                                          <\/p>\n

                                                                          \n

                                                                          <\/p>\n

                                                                          \n

                                                                          Audio Input Digital<\/h3>\n<\/div>\n

                                                                          <\/p>\n

                                                                          \n
                                                                            \n
                                                                          • SDI embedded audio, 24-bit, 16-channel<\/li>\n<\/ul>\n<\/div>\n

                                                                            <\/p>\n

                                                                            \u00a0<\/div>\n

                                                                            <\/p>\n

                                                                            \n

                                                                            <\/p>\n

                                                                            \n

                                                                            Audio Output Digital<\/h3>\n<\/div>\n

                                                                            <\/p>\n

                                                                            \n
                                                                              \n
                                                                            • SDI embedded audio, 24-bit, 16-channel<\/li>\n
                                                                            • HDMI embedded audio, 24-bit, 8-channel<\/li>\n<\/ul>\n<\/div>\n

                                                                              <\/p>\n

                                                                              \u00a0<\/div>\n

                                                                              <\/p>\n

                                                                              \n

                                                                              <\/p>\n

                                                                              \n

                                                                              Network Interface<\/h3>\n<\/div>\n

                                                                              <\/p>\n

                                                                              \n
                                                                                \n
                                                                              • 1x RJ-45, 10\/100\/1000 Ethernet<\/li>\n
                                                                              • Embedded web server for remote control<\/li>\n
                                                                              • REST Interface<\/li>\n
                                                                              • WiFi control available via 3rd party WiFi USB adapter*<\/li>\n<\/ul>\n

                                                                                \u00a0 *Linksys AC1200 WUSB6300 and Netgear AC1900 A7000<\/p><\/div>\n

                                                                                <\/p>\n

                                                                                \u00a0<\/div>\n

                                                                                <\/p>\n

                                                                                \n

                                                                                <\/p>\n

                                                                                \n

                                                                                USB Interface<\/h3>\n<\/div>\n

                                                                                <\/p>\n

                                                                                \n
                                                                                  \n
                                                                                • 1x Mini-USB for IP configuration using AJA eMini-Setup<\/li>\n<\/ul>\n<\/div>\n

                                                                                  <\/p>\n

                                                                                  \u00a0<\/div>\n

                                                                                  <\/p>\n

                                                                                  \n

                                                                                  <\/p>\n

                                                                                  \n

                                                                                  Presets<\/h3>\n<\/div>\n

                                                                                  <\/p>\n

                                                                                  \n
                                                                                    \n
                                                                                  • 10 Pipeline Presets per mode (AJA Color, Colorfront, ORION-CONVERT, BBC HLG LUTs, NBCU LUTs)<\/li>\n
                                                                                  • Startup Preset<\/li>\n<\/ul>\n<\/div>\n

                                                                                    <\/p>\n

                                                                                    \u00a0<\/div>\n

                                                                                    <\/p>\n

                                                                                    \n

                                                                                    <\/p>\n

                                                                                    \n

                                                                                    Size (w x d x h)<\/h3>\n<\/div>\n

                                                                                    <\/p>\n

                                                                                    \n
                                                                                      \n
                                                                                    • 4.10″ x 7.54″ x 1.66″ (104.1 x 191.6 x 42.1 mm)<\/li>\n<\/ul>\n<\/div>\n

                                                                                      <\/p>\n

                                                                                      \u00a0<\/div>\n

                                                                                      <\/p>\n

                                                                                      \n

                                                                                      <\/p>\n

                                                                                      \n

                                                                                      Weight<\/h3>\n<\/div>\n

                                                                                      <\/p>\n

                                                                                      \n
                                                                                        \n
                                                                                      • 1.0 lb (0.5 kg)<\/li>\n<\/ul>\n<\/div>\n

                                                                                        <\/p>\n

                                                                                        \u00a0<\/div>\n

                                                                                        <\/p>\n

                                                                                        \n

                                                                                        <\/p>\n

                                                                                        \n

                                                                                        Power<\/h3>\n<\/div>\n

                                                                                        <\/p>\n

                                                                                        \n
                                                                                          \n
                                                                                        • External power supply required<\/li>\n
                                                                                        • Enclosure: 10-18VDC regulated, 4-pin mini-XLR, 16W typical 3G-SDI, 21W typical 12G-SDI, 25W max.<\/li>\n
                                                                                        • AC Adapter, included: 100-240VAC, 50\/60 Hz, universal input, 60W<\/li>\n
                                                                                        • Optional spare AC adapter sold separately, AJA-PWR-12-60W<\/li>\n<\/ul>\n<\/div>\n

                                                                                          <\/p>\n

                                                                                          \u00a0<\/div>\n

                                                                                          <\/p>\n

                                                                                          \n

                                                                                          <\/p>\n

                                                                                          \n

                                                                                          Environment<\/h3>\n<\/div>\n

                                                                                          <\/p>\n

                                                                                          \n
                                                                                            \n
                                                                                          • Safe Operating Temperature: 0 to 50 C (32 to 122 F)<\/li>\n
                                                                                          • Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)<\/li>\n
                                                                                          • Operating Relative Humidity: 10-90% noncondensing<\/li>\n
                                                                                          • Operating Altitude: <3,000 meters (<10,000 feet)<\/li>\n<\/ul>\n<\/div>\n

                                                                                            [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.22.2″ _module_preset=”default” width=”94%” max_width=”2560px” module_alignment=”center” custom_padding=”0px|||||” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_code _builder_version=”4.22.2″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]